Lyrics
when i’m in love im not at my best
I have no shame and I have no defense
i traveled the world to no use
when my canvas is blank, you are my muse
i have a notion that i can’t express
i had a dream i was holding my breath
i woke up and now i love you to death
you remind me of someone i saw on the screen
or maybe i was you, and the king was the queen
i wandered port to port, there’s poetry there, don’t you know
a shadow in a castle window as rain turns to snow
i have a notion that i can’t express
i had a dream i was holding my breath
i woke up and now i love you to death
let me draw you, mademoiselle
oh, i will draw you well
i blink my eyes, and across from me, see your face
the sun rises and every cliche falls into place
it isn’t complicated to explain what we got
a set of rhyming couplets that end where they start
I had a dream that I can’t express
I have a notion I’m holding my breath
I’m awake and I will love you to death
Notes
January 2026
The first line of this song has been in my notes for a while. Probably because it’s true, or true enough. Now, as I see it, there’s old guy being in love, and there’s young guy being in love. Drilling down a bit deeper, there’s old guy being in love who just thinks he’s in love, but is actually obsessed, most usually with some bright young creature to recapture his youth becuz he’s unhappy with his life and subconsciously wants to destroy everything. Which is creepy, and sad. And, ya know, appears to happen often enough to be a thing; in song, stage, and literature both ironic and non. But there’s also old guy who has learned from all his (and others’) dumb shit and knows a good thing when he’s got it and is in the “correct” kind of love, where it’s healthy and decidedly not creepy and proves self-replenishing and is perhaps more miraculous than any of us realize, perhaps because no one writes about it, perhaps because it does not contain much drama, and perhaps because it appears boring, from the outside looking in. There is, also, young guy who is in love and doesn’t know jack and can’t handle getting a kiss before drowning into obsession. Maybe you know the type. If he ain’t careful the wrong kind of young guy can turn into the wrong kind of old guy, and onward goes this thing of ours, with more love-centric songs, stage, and literature both fictional and non-, ad finitum.
This does not account for all recipes of love by any means. Alls I’m saying is, in any scenario, at any age, love can disarm you. Big news.
I don’t remember where the chorus idea came from. Lines just come to ya, and they stick. I don’t know why a random one does and another one doesn’t. I keep them all. You never know. I’ve learned not to judge. Let em come to ya. Just write em down and decide if they’re crap later. Resistance will do its best in the moment to make you think everything you’re coming up with is junk, and you can’t let it win. (That’s writer’s block, in my opinion; if you are cool with producing crap every now and then, cool with the idea that feeling crappy sometimes about your work is part of the process and may not necessarily mean that you or your work is, in fact, crap, you will never again experience writer’s block. When you start writing something you’ll either believe it’s the best shit ever, or the worst shit ever, and in both cases, you’re wrong. But ya gotta plow ahead and just keeping making your shit. I’ve said it before and I’ll say it again because I dunno how else to say it.)
The verse guitar riff is another thing I had sitting around forever. It’s a very R.E.M.-ish thing, obviously, they’re part of my DNA and it’s a wonder more of my stuff doesn’t sound like a blatant rip off, but I leaned into it this time. Once I had that riff I had no idea how to kick off the song, it seemed kinda underwhelming to just start that way, so I broke it down into chords, slid those chords all the way up the neck, and boom, the intro was born. I like sparkly, jangly guitars, and I feel about them the way I feel about chocolate cake: delicious, satisfying, sometimes transcedent, but not appropriate at every meal. A little outta tune in this instance but that’s ok.
So it worked out to be song construction 101: intro, verse, chorus, verse, chorus, bridge, intro reprise, verse, final chorus with a bit of a twist, and the A-minor right before the final chord being a hallmark REM tell, although I was feeling more of a Squeeze vibe when I did it. (I appear to be saying my age without saying my age, but whaddya gonna do.)
I don’t like to just end, there’s always gotta be something nice about the ending that lets you know it’s an ending. Beethoven never just ends, he takes you on a little journey, calls it back, he sets up a coda, all kinds of magic that can only come from workshopping an idea for-fucking-ever and somehow knowing when to stop; REM does the same, but more briskly as befits the pop and rock majesty born of four genuises; there’s always that final chord you didn’t see coming or something to distinguish this moment from the rest.
This was a Garageband mess of a file that I had sitting around for almost a year and half, so to be honest, I don’t remember how I landed on the vocal sound, but man I really like it. Spring reverb or slapback or something? A little gift to myself from the past. Reminds me of Pretty Persuasion. At least, that’s what I was going for, I’m not sure how accurate the comparison actually is in the end, but the goal was to get a feeling across, a sensation, rather than a direct description of love, which is futile anyway. Cuz the singer is a bit dopey, but he knows what he wants to say. So the lyrics are there, they’re intentional, they’re definitely telling you a story, but if you don’t hear them or understand them all the way, that’s just fine, too.
But a year in the archives, man. I don’t know why I circled around this one for so long, why it sat for so long. And I was working on other things, to be sure, but still. There’s a nice warm feeling in having a bunch of ideas that could work — just look at the zillion voice memos I have on my phone — but you can drown in that, you can make half-baked starter ballast all your life and convince yourself you’re being productive, but it’s lightweight, it’s a sleepy helium balloon that’s five days old and floating in the middle of the room, eventually you gotta take one and do that thing where you just sit there and come up with a bunch of shitty takes, because that’s the only way to get to the good one. You gotta finish the job. And that process is endlessly weird, because breaching the amniotic sac and stepping into that world is so off-putting you’ll do almost anything in procrastiation, but once you’re inside, it’s an electric, echoey, mineralized chamber where the brain finally gets to do what it was put on this earth to do, which all I can say with certainty is, ain’t doomscrolling.
This is the hill I will die on: every person has the ability to sit down quietly with themselves and write. Not meditate, not clear their mind or be mindful, but sit down and engage in writing. You don’t need a piano, a guitar, or a typewriter; just a pencil, an envelope, post it, whatever. I hear people say they can’t do it. They don’t have that gene, or that gear. I don’t believe that. There’s nothing simpler, and more magical, than the ability of a human being to sit with itself and touch a pen to paper, or fingertip to keyboard, or whatever, and write down a bunch of stuff that, whether meaningful or -less, will enable said being to connect with itself.
It’s my impression that many people are put off, feeling that you have to write something great, long, or monetizable. It’s a competition of some sort. That’s bullshit. Our culture has confetti’d our own confidence in ourselves, with FOMO, YOLO, etc. No one else need read it, no one else should read it. There is a magical moment every time, when I write some shit down that was absolutely 100% not in my head just a moment before and I have to wonder where it came from. But the answer is that it came from me, and so further deepens the mystery. I believe there is an unconscious fear of engaging with that unknown part of ourselves, and that’s why we procrastinate. That unopened attic in our head can appear dark and scary, but it contains all the materials for growth. Once you go up there a few times, lay down a throw rug, sweep up, pound down all the nails sticking out, etc., returning ain’t such a thing.
So whether you call it a diary, a journal, a commonplace book, a draft email, or whatever, people have the means and ability to write down words. It doesn’t have to be lyrics, or poetry, or the great American novel; it doesn’t have to be anything at all to anyone else but you. And after a person gets over the awkwardness of doing something that has no third party validation, said person will find the magic in communicating with him or her or their self.
It’s a thing, it exists, it’s in all humans, it’s waiting.
This, I believe. Thank you.
